I work on a project-by-project basis, making documentary films that use artistic methods as a form of scientific inquiry. My subjects range widely—from the microscopic architecture of butterfly wings to animal consciousness to the quiet observations of field biologists—but each film seeks moments of recognition rather than explanation, employing temporal expansion, sensory integration, and phenomenological approaches to reveal what conventional observation might miss.
This work practices philosophy of science through an artistic lens, using contemplative observation and immersive experience to explore questions about consciousness, complexity, and our relationship to the more-than-human world.
Current work includes explorations of bird intelligence, feline perception, and Why Look at Animals—a longer project in development.